Today Dara Weinberg from LAist reviewed Preludes & Fugues:

Glore's writing puts a great burden of precision on the actors, and director Edgar Landa has blocked his actors as exactly as a composer writes his notes. Every gesture, every hesitation, seems perfect, and the actors behave more and more like dancers as the play progresses. The writing is difficult and sometimes obscure, but the actors are so passionately committed to the text that it is always emotionally present. This ensemble brings a difficult piece into clarity, with the substantial aid of Barbara Kallin's lighting and scenic design, and sound design by Sara Huddleston. Ryan Poulson's original score gives this production musical blood.

Link to the full review on LAist